From the world map, you can choose to infiltrate a number of dangerous facilities: corporate vaults that net you boatloads of credits to use for helpful items detention centers that hold captive agents to bolster your ranks cybernetics labs, where useful augments can be installed to your agents and nanofab vestibules, which house digital storefronts with much larger selections than the ones you normally find. Outside of the optional tutorial mission, the objectives you want to tackle are really up to you. If that sounds like a stressful proposition, it is - especially when you factor in that any agents killed on your missions will suffer permadeath if not rescued. The corporations that run the world have compromised your headquarters, giving you a limited number of hours (72 in the original build, now customizable) to throw together some equipment and a team to take on the final mission. After setting up some parameters and making you way through a brief tutorial, you’re thrust right into a difficult situation. This is a brief, tense little thrill ride that was built for multiple playthroughs.

Console Edition has to offer in the gameplay department, you realize that a focus on narrative would necessitate a fundamental change in the mechanics. It’s not really a bad thing, but since the game got me interested in the cyberpunk world and the people inhabiting it, I did sort of wish there were more to know about them. But when you really get down to it, the main attraction here is the elegant nastiness of the campaign itself, which leaves the dialogue and character interaction to a few quips in between missions. And sure, you’ve got a bunch of agents to take out into the field, each lovingly rendered in amazing pixel art with their own skills and quirks.

Yes, there are plenty of characters - most notably Central, the always-present voice in your ear that for some reason reminded me of The Chief in the Carmen Sandiego games (and I mean that in a good way perhaps I just lack points of comparison in this area). Given the impressive style and spectacle of the game’s opening cutscene, I was originally surprised to find it didn’t have much of an emphasis on narrative.

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